#Black gay pride art series#
A few highlights include the Rainbow Row vendor expo, featuring more than 50 organizations and businesses the Annual Mary Bowman Poetry Slam, a spoken-word competition hosted by poet Charity Joyce Blackwell the DCBP Writers Forum with special guest author James Earl Hardy, best known for his B-Boy Blues book series and Angela Harvey‘s new documentary Black Rainbow Love, a project that explores Black LGBTQ relationships. Most of the official DCBP events are held at the host hotel, the Renaissance Marriott Downtown (999 9th St. The 2022 festivities will feature a plethora of educational workshops, seminars, entertainment, and a daily wellness suite sponsored by DC Health. DC Black Pride is presented annually by the Center for Black Equity, and this year’s event is definitely bigger, better, and more show-stopping than ever, or at least it feels that way after its two-year absence. This year’s theme-Bigger, Bolder, The Original Is Back-pays homage to the pioneering legacy of the hometown festival. The success of DCBP spread across the country and inspired other cities to create similar Prides. They also provided a safe space for the community to come together and address issues like racism, violence, and certain health concerns that are specifically important to Black communities. In 1991, Welmore Cook, Theodore Kirkland, and Ernest Hopkins hosted the inaugural Black Pride event at Banneker Field to celebrate the African American LGBTQ experience and increase awareness and funding for HIV/AIDS programs.
#Black gay pride art full#
West Thumbscrew, by Brian Cohen Friday through Monday: DC Black PrideĭC Black Pride, the first official Black LGBTQ festival in United States history, returns May 27 with a full slate of events after suspending in-person activities in 20 due to the global COVID-19 pandemic. on May 26 at Blues Alley, 1073 Wisconsin Ave. And if it’s sometimes a bit alien, it’s never anything but alluring. (Sometimes Fujiwara steers them off the song’s pulse entirely, which keeps the groove happening but places it on a sort of alternate timeline.) Even their most difficult clashes, however, offer enough information to let you know that they know precisely what they’re doing-even avant-garde bands don’t last a decade without some serious synergy. Halvorson has a barbed style with careening distortions, which can become downright acerbic when they meet Formanek’s rough-hewn bass tones and Fujiwara’s driving but often arrhythmic beats.
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It’s Thumbscrew’s textures and interactions that are harder to penetrate. Note the word “unpredictable”: Who would have foreseen that this collective (which is celebrating 10 years together) would practically burst with melody and groove? No, it’s not melody and groove of convention- any convention-but it’s right up front to be latched onto. Guitarist Mary Halvorson, bassist Michael Formanek, and drummer Tomas Fujiwara are each among the most adventurous, uncompromising, and unpredictable figures in experimental jazz. Nobody names their band after a medieval torture device as a way of telling audiences, “Welcome! You’ll instantly fall in love with our stuff!” Outwardly, Thumbscrew seems all the more forbidding because of its membership.
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Sarah Marloff Thursday: Thumbscrew at Blues Alley And, for those needing an extra helping of community, DC Black Pride returns with in-person festivities after a two-year hiatus.
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At City Lights, we believe the very best way to clear your mind and unwind is to get lost in the music, spinning on a crowded dance floor or grassy field. Take some time this long weekend to take care of yourself. The past week … or two years … have been rough.